{"id":168,"date":"2017-12-15T16:05:29","date_gmt":"2017-12-15T16:05:29","guid":{"rendered":"http:\/\/musicbusinessmonthly.com\/?p=168"},"modified":"2017-12-15T16:07:45","modified_gmt":"2017-12-15T16:07:45","slug":"star-wars-the-last-jedi-review-by-joe-viglione","status":"publish","type":"post","link":"http:\/\/musicbusinessmonthly.com\/?p=168","title":{"rendered":"Star Wars &#8211; the Last Jedi review by Joe Viglione"},"content":{"rendered":"<p><a href=\"http:\/\/musicbusinessmonthly.com\/wp-content\/uploads\/2017\/12\/star-wars-the-last-jedi.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-169\" alt=\"star-wars-the-last-jedi\" src=\"http:\/\/musicbusinessmonthly.com\/wp-content\/uploads\/2017\/12\/star-wars-the-last-jedi-300x142.jpg\" width=\"300\" height=\"142\" srcset=\"http:\/\/musicbusinessmonthly.com\/wp-content\/uploads\/2017\/12\/star-wars-the-last-jedi-300x142.jpg 300w, http:\/\/musicbusinessmonthly.com\/wp-content\/uploads\/2017\/12\/star-wars-the-last-jedi.jpg 620w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><br \/>\nRising Tyranny,<br \/>\na review of Star Wars:The Last Jedi\u00a0 <\/a><\/p>\n<p>From The Joe Vig Top 40 dot com\u00a0\u00a0\u00a0 <a href=\"http:\/\/joevigtop40.com\/\">http:\/\/joevigtop40.com\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Rising Tyranny,<br \/>\na review of Star Wars:The Last Jedi<br \/>\nby Joe Viglione<\/p>\n<p>Space age megalomaniacs with ingenious mechanical marvels and fancy ancient titles, from The First Order to Supreme Leader &#8211; facing off against a dwindling resistance, the Rebellion, with odds stacked heavily against the good guys, making for an exciting roller coaster ride of things blowing up, spaceships digitally disappearing and re-appearing at will, with deep colors drenching the screen in a variety of shades. Welcome to the very precise re-shaping of the Star Wars legacy courtesy of the Walt Disney Corporation, a dark, desperate saga that hits the home run the fan base and the general public are both looking for.<br \/>\nThe film is a thrilling, looming monster, and that\u2019s a monster in a good way.<br \/>\nThis is a movie about the grandson of Darth Vader, and given that there\u2019s no James Earl Jones or Alec Guinness, it is the legacy of the chronicle that sustains the magic featuring the established stars in the series. Mark Hamill and Carrie Fisher are, naturally, front and center \u2013 their last time together unless computer-generated imagery comes into play for future episodes. Keep in mind that Hamill was 26 when STAR WARS: A New Hope launched in 1977, which makes him 66 as of this writing (December 12, 2017.) The late Carrie Fisher was sixty and two months when she passed December 27, 2016, and that they &#8211; along with 71 year old Anthony Daniels (C-3PO,) 73 year old Peter Mayhew as Chebacca, the Millennium Falcon and R2-D2 \u2026and Yoda\u2026are the last remnants of the rebellious first initiates makes for an intriguing passing of the torch to the new personalities being established in the Star Wars canon. Kenny Baker, the original R2-D2, passed in August of 2016, four months before Fisher, and in The Last Jedi Jimmy Vee replaces Baker. Vee is known for performing as Gringott\u2019s Goblin in Harry Potter and the Sorcerer\u2019s Stone as well as some Dr. Who characters. Nice to keep the fantasy\/science fiction fans happy with their treasured heritage.<br \/>\nRather than bringing in too many larger-than-life stars as Lucas did with Christopher Lee in the prequels, we have Laura Dern (the original Jurassic Park, 1993) playing Vice Admiral Amilyn Holdo as well as Joseph Gordon-Leavitt\u2019s voice somewhere in the film. As with Carrie Fisher, Dern\u2019s parents were in the movies while Gordon-Leavitt was a child star, so there is film history in their DNA, but the point is that it is the Star Wars machine itself that is the bright light that all involved get to follow.<br \/>\nThere are some historical \u201cEaster eggs,\u201d if you will, from both real life and the film world, as Supreme Leader Snoke channels former Texas Senator Lloyd Bentsen\u2019s immortal JFK line to Dan Quayle: \u201cYou\u2019re no Vader, you\u2019re just a child in a mask.\u201d\u00a0 (&#8220;Senator, you&#8217;re no Jack Kennedy&#8221; was a remark made during the 1988 United States vice-presidential debate by Democratic vice-presidential candidate Senator Lloyd Bentsen)<\/p>\n<p>And yes, Andy Serkis is a big star from The Hobbitt, The Lord of the Rings, Ulysses Klaue in the Avengers, Caesar in the Planet of the Apes films, so my comment about not having huge names to keep the fires burning is arguable and welcomes debate, fans of Daisy Ridley, Adam Driver, Oscar Isaac and the rest of Star Wars: The Next Generation. The Easter eggs continue with references to the Matrix and Keanu Reeves &#8211; Maz Kanata, the magical little female creature with the glasses, channeling the Oracle from the Matrix with her words, the Rebellion pushed smack dab into the middle of Zion. It could not be any more obvious under Rian Johnson\u2019s direction and script, and it is more intentional science fiction crossover fun than any kind of plagiarism. Heck, in the original Independence Day Bill Pullman gives an exact quote from C-3PO to Brett Spiner of The Next Generation \u201cExciting is hardly a word I would choose to describe it.\u201d Sci-Fi fans love the nuances tucked in to other films, the trading-card thread that keeps the ball rolling\u2026in a good way.<\/p>\n<p>C-3PO \u201cIs hardly the word I would choose\u201d<a href=\" http:\/\/www.tzr.io\/yarn-clip\/27f5ec77-2ba0-4e27-9447-6cb12de87abb\"> http:\/\/www.tzr.io\/yarn-clip\/27f5ec77-2ba0-4e27-9447-6cb12de87abb<\/a><\/p>\n<p>Amazon.co.uk:Customer reviews: Independence Day<br \/>\n<iframe loading=\"lazy\" title=\"Independence Day\" type=\"text\/html\" width=\"625\" height=\"550\" frameborder=\"0\" allowfullscreen style=\"max-width:100%\" src=\"https:\/\/read.amazon.co.uk\/kp\/card?preview=inline&#038;linkCode=kpd&#038;ref_=k4w_oembed_bppCP26c3uqGWG&#038;asin=B01A9QZSRY&#038;tag=kpembed-20\"><\/iframe><br \/>\nthe president&#8217;s reply which actually sums up the stupid and unwarranted humour in this film,is as folows:(millions of people are dying: \u201cexciting is hardly the word I would choose!!.)<br \/>\n______________________________________________________________________________________________________________<br \/>\nIt&#8217;s like masked Kim Jong-un a thousand years from now looking to conquer the universe. That&#8217;s the basic premise, anyway, and it hasn&#8217;t changed since Star Wars first burst on the scene with A New Hope, the first Star Wars film that they also call the fourth&#8230; but putting the upside down chronology aside, the franchise under the Disney company&#8217;s direction is tight, polished, with nothing left to chance, and an enormous blockbuster barreling full steam ahead into the Christmas season, 2017.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rising Tyranny, a review of Star Wars:The Last Jedi\u00a0 From The Joe Vig Top 40 dot com\u00a0\u00a0\u00a0 http:\/\/joevigtop40.com\/ &nbsp; Rising Tyranny, a review of Star Wars:The Last Jedi by Joe Viglione Space age megalomaniacs with ingenious mechanical marvels and fancy ancient titles, from The First Order to Supreme Leader &#8211; facing off against a dwindling [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-168","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/musicbusinessmonthly.com\/index.php?rest_route=\/wp\/v2\/posts\/168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/musicbusinessmonthly.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/musicbusinessmonthly.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/musicbusinessmonthly.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/musicbusinessmonthly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=168"}],"version-history":[{"count":4,"href":"http:\/\/musicbusinessmonthly.com\/index.php?rest_route=\/wp\/v2\/posts\/168\/revisions"}],"predecessor-version":[{"id":173,"href":"http:\/\/musicbusinessmonthly.com\/index.php?rest_route=\/wp\/v2\/posts\/168\/revisions\/173"}],"wp:attachment":[{"href":"http:\/\/musicbusinessmonthly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/musicbusinessmonthly.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=168"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/musicbusinessmonthly.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}